born in chile but raised in sweden, alexi delano already released for such label as plus8, m_nus, spectral or trapez. with this release on davide squillaces label he shows to not miss imagination, >girls on bike< and >digital downtown< are two colourful sexy and crazy tracks already supported by such artist as karotte, brett johnson, nic fanciulli and many more

there are two kinds of djs: those whose goal is to make a name for themselves and those whose goal is to make music. parisian chris carrier is among the latter. matter of fact chriss been an underground icon for more than a decade, churning out more than 150 records and remixes. meanwhile hes founded a whole fistful of labels, including the renowned adult only and catwash, alongside dj wild, as well as bringing his vision to labels such as get physical, robsoul, freak n chic to name but a few and - most recently - spectral sound, supplement facts, welcome to masomenos & sushitech. bringing his diverse style to the sexy, deep, techy house vibes, chris is more sought-after than ever. kailash is proud to present is new ep 3 tracks + one remix from blm & marcashken. the chris carriers tracks are really complete between funky jazztechouse and old school style. good grooves and efficient for the dancefloor. the blm & marcashkens remix is a pure techno bomb !!! support by : adams families.

cameas latest clink release has arrived, featuring an alexi delano rework. this eloquently produced ep resonates between minimal, techno and tech-house, and hits the spot for both peak-time and after-hour moods. camea has been hot on the dj circuit this year, and this release is a great tribute to the growing following for her performances. titled >happy ending<, it hits the spot with heady melodies, dark vocals, a touch of soul and irresistible percussion for the dance floor. alexi delanos remix on the b-side delivers an artistic and trackie techno burner that compliments this ep with a flattering perspective. it is a fantastic addition to his long list of heavily rotated masterpieces, including high profile contributions to labels such as plus 8, items and things, spectral, drumcode and frankie records. this combined release is a hot item for djs and collectors.

dj support by laurent garnier, cassy, raresh, frederico molinari, camea, arnaud le texier... based in beautiful country side of florence, bosconi records represents the freshest vibe of the new electronic tech house movement from this part of italy. the first release of the label has the pleasure to introduce you the collaboration between two big friends, representing of the finest contemporary electronic house scene, minimono and bruno pronsato. the a side, arianna and i, has the classic brunos touch, always moving forward to his research into musical experiments. following the success of his latest longplayer on hello?repeat why cant we be like us , bruno is back now with a superb sound designed track: big subbasses, tiny sumbliminal percussions, and spectral talking voices, one for the fat dancefloors and the spooky minds. on the flip the florentian duo minimono, after their acclaimed release on love letters from oslo , drop out a jumpy track with a caribbean rocksteady feeling, dubby and funky house in the groovy vein of a modern soundhack and studio one release. baby come back is happy, loopy, plenty of positive musical colors, tropical, funky and properly made for your legs, your smile and your party time on the seaside

cabanne (perlon, minibar), jeff samuel (spectral, trapez), ilario alicante (tenax), italoboyz (get physical, mothership), mark-henning (soma, freude-am-tanzen), delete aka sergio munoz (safari electronique , sci+tec, frankie, leftroom), cesare vs disorder (archipel, resopal, stock 5), arnaud le texier (safari electronique) and many more.

get ready for the 8th classic offering from the sounderground stable, a gem of a release from los angeles resident, mikael stavöstrand. having been a key figure in the electronic music scene for many years, mikaels latest musical must-have is yet another example of his breathtaking, boundary busting musical interpretations. always on top of his game, and in demand, his live shows are truely outstanding. having amassed an ardent list of followers and been involved in collaborations right across the musical spectrum, his previous label outings include, kindish, thema, sushitech and spectral sound

osbornes ruling came out on influential us label spectral sound earlier this year, and has been racking up some fantastic support already. an emotive piece of lush deep house, ruling is an unashamed throwback to the early halcyon days of chicago and new york house music. a perfect slice of deepness for the warmer months...shur i kan is becoming ever present on the nrk roster of late, hes one of our favourite brit producer/remixers, and he stays faithfull to the original mix of ruling here but drags it onto the dancefloor somewhat with some stronger beats and heavier bottom end. king britt, meanwhile, opts for a heady, darker pounding drum remix, with spacious chords and freeform jazz flicked riffs. a little scubambient mix is also included here...

supported by prins thomas, ame, henrik schwarz !! ypsilanti, michigan based dj/producer todd osborn (ghostly international, spectral, soundmurderer), detroit’s man of many hats, dives deep into japans culture for >bingata<, his first release for running back. the title track is house-not-house between >eurodans< and glenn underground’s early works. also includes >i think it’s me<, a nice cut-up gem in the vein of sound stream. pink alert, the project of running back owner gerd janson and his studio partner curio, have stripped things down in their murky remix. hot like chip fat! limited to 750

after his pretty succesful debut on drehmoment with his acidic >hallucination<, milenko puts it onto another level now with his new ep for the label. groovy, scratchy techno and a flip with harmonics that went mad, this is the menu for today. jonas kopp is the guy for an outstanding remix, just in the way like his works for spectral or 20:20 vision. contemporary techno for those who are not afraid of giving the dancefloor a bit more energy as most jocks would ever imagine to do

hailing from toronto and now residing in berlin by way of brussels. aschka is a rising star on the european music circuit. she makes her us premiere on defchild with two deep and melodic excursions. on remix detail, chicagos kate simko (kupei musika, spectral, peacefrog) delivers an exquisitely evocative downtempo remix of rain, while new yorks stefny (addon, hector works) serves up a mammoth mix thats a playful and jacking reinterpretation of sensoreality.

elvin estela, aka nobody, and singer niki randa are blank blue. >western water music vol. ii< dives deep into psychedelic and folktronic music.

ultraphat remixesy package, contains four killer remixes by slam (soma rec), audion (matthew dear, spectral, ghostly), radio slave (rekids..) , the field (kompakt).

having recorded for a variety of labels (including axis/6277, ghostly/spectral, creme, playhouse, klang elektronik, mathematics recordings), and as former part of the dirty criminals (gigolo), jamal moss has long been a part of the chicago house/techno scene as a producer, promoter and dj

detroit artists seth troxler & patrick russell join forces for their first ep >valt trax< on circus company in what is obviously a successful piece of teamwork. seth troxler, now living in berlin, has been attracting attention with his spacey, funky atmospheric releases on labels such as spectral, items & things (as thrill cosby), omarss fxhe ( as young seth), esperanza, beretta grey, leftroom, and dumb unit, moving into more and more interesting territories with every one of his releases. the idea behind the ep was to recreate a vibe identical to that of the heyday of underground dance music and instant insanity of the early 90s on a record that sounds like it was lost in a dusty vault for 20 years and just rediscovered.

after a long break due to the work on the new dirt crew album and numerous remixes in the past 2 years break 3000 is back solo with his typical deep trance techno sound we know from his great releases on my best friend and trapez. this 10 minute plus monster is a dark and pumping excursion into the heart of techno. with a massive beat and a hard hitting piano stab the track winds itself through any soundsystem and when the old school 90s strings fall in you can be assured that the crowd goes crazy… on the flip daso proves his skills with an even tighter techno mix of the original. with his latest work for spectral and connaisseur he is on the top of the game and we are very proud to have him on board with this excellent remix, its amongst his best productions to date! loved by dave mothersole, c rock, p toile, sasse, nunos dos santos and many more..

powerful 2-tracker with max dancefloor effect. /fuck on/ is a proper funky minitechno rocker with spectral atmospheres and a vibrant bassline whilst /girotondo/ is mainly based on warm chords, a deep bass and fired twists.

incl daso remix !! supported by tiga, gregor tresher, jim rives, pelle buys, hernan cattaneo, pako & frederik. luciano pizzella, a 1974 born neapolitan biologist and producer, is one of those newcomers in 2007 that have drawed the attention of sven väth, tiefschwarz, kiki, moguai and many others with his releases on italic and broque. for dogtown he delivers a first class melodic electro-house gem with a profound bassline underneath that we simply couldnt resist. and to top things off, we asked daso (spectral, my best friend, connaisseur) to do a remix on the b-side. as expected, he does the job in style with one of his darkest and most exellent remixes to date. highly recommended to fans of dubfire, josh wink and alike! enjoy!!

another banger from nick chacona on the fledgling speak recordings. >gaze< and its flip >hush hush no rush< is chuggy nu-disco thats straight for the dancefloor with old school traum/spectral dudes broker/dealer providing a remix on the flip too!

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

with multiple releases on background records, scape, and ghostly/spectral already under his belt, alan abrahams (aka bodycode and portable) presents a fabulous fusion of ultra-deep house and afro-futurism on his yore debut a document of an african past

its almost 4 years to the day that jeff samuels >throatwobbler mangrove ep< was released on karloff #03, and even today the four world hits of the record are getting digged out by djs, when the minimalism needs to either groove or jack again. so now with >return of the throatwobbler< theres finally an appropriate follow-up by the man from seattle.. erm.. berlin, after he’s impressively run riot in the meantime, on labels like spectral, trapez, poker flat, frankie and logistic. the a-side >terso< is shuffling and twirling and bouncing in such a winsome way that not many can master like jeff samuel. almost like an electric ray - left and right and left, and without letting any tempting gimmicks take the mind off the straight path. appropriately enough, >the spook< on the b-side comes along a bit more spookily, with a bassline twisting into the brain, ripped up by miniatures of bleeps and chords just in the right moments, and thus leading the track to an agile, exhilarated climax

new funky and dark minimal trax by peter grummich !! the copenhagen based label wacked records is now back with there second release for with they have enlisted the help of berlin based techno legend peter grumich. peter has previously released on such respected labels as spectral, sender and kompact, and for wacked002 he has produced some groovy and dirty minimal techno tracks that will be instant dancefloor hits. wacked records is still trying to fill in the gaps between the usual releases with dirty weird and funky releases that moves dancefloor as surprises all the time... and for wacked003 vigo monroe have been enlisted again

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

here is the opening of a new circus company various artist ep serie. the island of lost children vol.1 present the debut on cic from three confirmed artists. miss fitz bring a wonderfull warm sexy house flavored track. thats the one to make you smile.. peter grummichs (spectral, shitkatapult) > beep beep< is the power of a pick timetrack. the track youll love to drop after the take off.. on b side, enjoy >dump tackle< from amsterdam based lauhaus & labeij (aka polder) who usualy release ultra delicious ep on intacto records. miss fitz, peter grummich, lauhaus & labeij are on the island of lost children and it seems that they are not alone.. watch out for vol.2 !

nach seinen tollen releases für kompakt, shitkatapult & spectral lässt er es bei unserem geschmackshüter aus tokyo krachen. beide tracks sind filigran, haben aber dennoch sack, wie man so schön sagt. optimale allzweckwaffe an den schnittstellen von techno, house und afterhoursound

a full release by san frans beat broker-known for his edits and mixes and also one half of broker/dealer who released on labels such as asphodel, spectral, traum and californias own sentrall records. >warriors (in space)< is a massive, up-tempo synth track which sounds somewhere between tantra and patrick cowley - same epic vibe, cowbell gallore, guitar licks and spaced out sytnhs. oldschool sounds with a modern arrangement, just what the discotheque needs. flip for two gliding cosmic-edged disco-house cuts. deep, warm and emotional tracks that will work both for the crowd and the listener. timeless

new and remixed tracks by this spiritual, cosmic jazz group. comes with a cool percussive 10 minutes long (tech) house remix on the flipside by matthew dear (aka audion from spectral / ghostly) for the minimal fans of villalobos & luciano.... anthem, includes bonus locked groove

the first new music from canadian electronic pop duo junior boys since their much-acclaimed >last exit< long player. >suggest talk talk produced by timbaland… junior boys spectral vision of electronic pop is an understated, unpredictable delight ****< said the guardian of >last exit<. without a domestic release this album in 2004 crept into most journalists end of year polls. this is the first junior boys release to be released on domino worldwide and initial reactions have been fantastic. it seems that word of mouth has been spreading like wildfire on this band. >in the morning< and >the equalizer< are both taken from the forthcoming album >so this is goodbye<. they are backed with remixes for the coolest dancefloors from nyc s morgan geist and glasgow s alex smoke. the band play their uk debut at london s luminaire on august 10th and then return as very special guests of hot chip in the autumn for a full uk tour.

classic !!! special repressed

3 new, pure and alive italo disco tracks produced the classic way

modern deep and atmospheric minimal tracks …spectral / ghostly artist!!

die ungekrönten meister der wahnsinnigen funkiness mit einem neuen talent und remixen von den boogism-chefs fym & s-max. irgendwie hat das total viel soul!

fantastic mixes by troy pierce (run stop restore – m-nus), the architect ( aka jay haze ), toni vokado (electric avenue), peter grummich ( spectral, kompakt)

minimal klicker hacking tracks on plus 8 records, frisch (by matthew dear, spectral / ghostly)

sonic groove presents the new album from statiqbloom.

2021 album of john tejada!

migration cinema is a new moniker of the sonic practitioner and composer el’as merino. grisaille, his release for e/c, adopts a varied approach to the pattern of emergence within merinoÕs work. these seven recordings present not only electronic, but mostly instrumental trajectories, whose densities are unfolded through a huge collection of music performers. migration cinema creates a situation for the musicians in which they navigate a resonant and responsive compositional space, while the space itself is treated as a plastic medium. * grisaille suggests an unconventional view of chamber and instrumental contemporary music from a culture alien in both space and time, heard through the filter or sieve of iannis xenakisÕ architectural and physical approach to sound. alternating between opacity and translucency, monochrome and colour, grisaille conjures a spectral palette reminiscent of fredrich cerha, but with an approach to instrumental hybridisation more reminiscent of the electroacoustic worlds of ana maria avram and iancu dumitrescu. * grisaille was written, recorded, and produced by el’as merino between 2013 and 2016 in spain and england, and includes across its seven tracks more than 24 performers and a student choir. all the instrumentation has been written, scored and orchestrated through computer music methodologies such as algorithmic and generative systems. grisaille swims into hybrid spaces from acoustic reverberations captured by the artist itself at notre dame (paris, france), basilica di sant eustachio, (rome, italy), and eglise st. laurent, (marseilles, france).

born in a remote log cabin deep in the scottish highlands, eventual reality, the debut album from the james lÕestraunge orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. in 2014 seasoned producer and musician ricky reid and his partner retreated from the city to embark upon a new life, in his own words Òaway from the constant, incoherent noise of the worldÓ. as he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. then, like a scene from Ôfield of dreamsÕ, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by ricky over the following months. with nostalgia so much a part of the albumÕs creation, the james lÕestraunge orchestra canÕt help but appear somewhat spectral, after all they are truly the band that never was.

pastoral/tropical soundscapes and post-brutalist compositions by max loderbauer and jacek sienkiewicz from their ÒendÓ cd seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and idm, leading into the spectral areas once explored by such pioneers and popol vuh or ilhan mimaroglu. above all, etheric and extra-sensitive ÒendÓ marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. without vivid commentary and recognizable soundbites of the present, ÒendÓ is simultaneously an interesting projection of hopes and anxieties of the new age. core of tracks included on the record has been produced on the occasion of max and jacek appearing as a live duo during 2015Õs berlin atonal festival, which resulted in well received Òalpine-tatra-himalaianÓ ep Òridges-. remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.

gareth dickson is ghost like. from the dark outskirts of glasgow he has sent three studio studio albums in to the world - collected recordings (2009), the dance (2010) and quite a way away (2012). these albums have bewitched a growing inner circle, including some of the most innovative musicians around today - juana molina and vashti bunyan to name just two. gareth has been the only constant member of vashtis touring outfit over the past ten years and latterly they have stripped down to a duet on their worldwide travels. vashti indeed makes a spectral apparition on the first track of gareth s new album orwell court.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schšn and >sŸd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / sŸd electronics and yore.

2011 debut from penguin prison aka chris glover. this effort is quite simply the most smoothed-out, hook-heavy, unabashed lovers disco around. from the miraculous slices of shiny, infectious contemporary pop of multi-millionaire and -golden train-, to the single -fair warning-, shimmering with spectral synths and breathless, honey vocals, to the mellow and mysterious album closer -someone got everything-, penguin prisons debut effort rolls you through a sleek, melodic world where all you need to worry about is whether youve got your sunglasses on and the right moves to keep up.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

a brand new compilation series from music response records, compiled and mixed by mighty mouse. ever since the mice were picked up by aeroplanes management, things have been taking off for the london duo. their remixes over the last year have been picking up heavy support (including radio 1 plays) from pete tong, kissy sell out, rob da bank, aeroplane, unabombers, mike pickering, sister bliss, ashley beedle, cosmo, trevor jackson, laurent garnier, mouse t, nico de ceglia, prins thomas, disco bloodbath, horsemeat disco and many more.

steve bug - innovator, minimal dance connoisseur, tech house master - though he s been given many prestigious titles, if theres one quality that can be best attributed to steve bug, it would be modesty. its a trait that has followed him throughout his illustrious career, from his early days as a child building guitars out of cardboard, to his early lessons in percussion at school to his beginnings as a mixtape dj to his first productions. despite the fact that hes now largely regarded as one of the founding fathers of minimal - creating his >da minimal funk< compilation over 10 years ago - and one of the most sought-after 4/4 djs booked today, bug remains truly humble when reflecting on the majestic rise from his beginnings as a dancefloor-dwelling clubber in bremen, germany to ruling his renowned dessous/poker flat empire in berlin.